A charming and highly personal introduction to the artists of the Dutch Golden Age.
Twenty years ago,Benjamin Moser followed a love affair to an ancient Dutch town. In order to make sense of this new place,he threw himself into the Dutch museums. Soon,he found himself unearthing the strange,inspiring and sometimes terrifying stories of the artists who shaped one of the most luminous moments in the history of human creativity,the Dutch Golden Age.
As he explored the hidden world of the Dutch Masters (and one Mistress),Moser met a crowd of fascinating personalities: the stormy Rembrandt,the intimate Ter Borch,the mysterious Vermeer. Through their art,he got to know their country,too: from Pieter Saenredam's translucent churches to Paulus Potter's muddy barnyards,and from Pieter de Hooch's cozy hearths to Jacob van Ruisdael's tragic trees. Over the years,Moser found himself on increasingly intimate terms with these centuries-dead artists,and found that they,too,were struggling with the same questions he was. Why do we make art What is art,anyway - and what is an artist What does it mean to succeed as an artist,and what does it mean to fail
The Upside-Down World is an invitation to ask these questions,and to turn them on their heads: to look,and then to look again. It is a brilliant,colourful and learned book for anyone,whether lifelong scholar or curious tourist,who has ever felt the lure of the Dutch galleries. It shows us art,and artists,as we have never seen them before.
Publisher: Penguin Books LtdISBN: 9780241586457Number of pages: 400Weight: 1117 gDimensions: 243 x 163 x 31 mm
MEDIA REVIEWS
'In a luminous,splendidly illustrated melding of art history and memoir,Pulitzer Prize-winning biographer,translator,and essayist Moser pays homage to 17th-century artists whose works he discovered when he first settled in the Netherlands 20 years ago... he sets artists'lives in the context of violence and upheaval,as well as personal loss,poverty,grief,and longing... a graceful meditation on art'- Kirkus
'The most agreeable of companions in his encompassing yet highly personal tour of the Golden Age of Dutch painting,Benjamin Moser delivers fresh insights that will delight the expert and the casual museum-goer alike,in prose as precise and intimate as a Vermeer - and as luminous'- Jim Holt
'Benjamin Moser's fascinating study of Dutch art and artists is more than the sum of its extraordinary parts. Part memoir,part critical and historical analysis,the book also offers a superb commentary - one of the best I've ever read - on what it means to be displaced in a never entirely whole world,and what it means to see between the cracks. I learned so much reading this fine book,and so will you'- Hilton Als
'I always dreamed of living in the rooms of my favorite paintings. Finally! A book that animates these rooms,their light,the people in them - that evokes their character and emotions and places them in the context of their culture. Profound and intensely alive,Benjamin Moser's writing describes them both as living beings and as works of art,and connects his own life as a writer to these deep insights into the meaning of art'- Laurie Anderson
'No country may be read through its art as clearly as the Netherlands. Benjamin Moser's enchanting survey of the Dutch Masters offers a salutary reminder that the pantheon is never locked and that neglected artists may deserve a reappraisal. In all,he gives us a loving portrait of the country he decided to call home,and valuable lessons along the way about how to create and how to be'- Hugh Aldersey-Williams
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